


In 1983, my wife, Cynthia, my six-month-old son, Erik, and I
journeyed to the People’s Republic of China where I would teach writing and we
would learn more than we ever imagined. It was there in the dry, dusty,
stiflingly hot or bitterly cold landscape of northeastern China that we
discovered the strange contradictions of a changing Communist country and
traditional culture—and a Taoist way of existing. We left with a love for the
people and a lasting appreciation and wonder at their ability to endure these
contradictions and, essentially, to go with the flow.
Just a few years later, I was working as a middle level
administrator at a small
Still, I didn’t recognize the growing influence of this philosophy
on me, and I did not consciously follow up on the concept of Taoism until
recently, when I met a practitioner of the philosophy and became curious to
know more about it. I was reminded of a former student’s paper entitled “The
Tao of Tutoring.” Dana, my student, had explored the interaction between a
writing tutor and a student, from a loosely Taoist perspective. I liked the
idea so well that it stayed in the back of my mind for years.
These scattered influences began to form a unity that seemed to
make sense, not only in philosophical terms, but in practical terms as well.
Each of these influences, these brief encounters with Taoist ideas and people,
shared much in common. The Chinese culture (though not the government or
political system) was to generous and valued community, a place where people
could feel at ease and at peace, where life flowed along as the river flows. My
old supervisor also taught me the joys of managing without controlling, of
encouraging an atmosphere of community and generosity, of putting daily
stresses into perspective. Then, young Dana showed me—or perhaps simply
reminded me—that I could think about writing from this new perspective. It was
all natural. Because I am a writer and a teacher of writing, and I spend a good
deal of time thinking about writing and helping others to become writers, the
connections between the Tao and writing started to become more and more
apparent to me.
Taoism tells us that the “Tao” is the cosmic, mysterious, and
ultimate principle underlying form, substance, being, and change. Tao
encompasses everything. It can be used to understand the universe and nature as
well as the human body. For example, “Tao gives birth to the One, the One gives
birth to Two, and from Two emerges Three, Three gives birth to all the things.
All things carry the Yin and the Yang, deriving their vital harmony from the
proper blending of the two vital forces” (Tao Te Ching, verse 42). Tao is the
cause of change and the source of all nature, including humanity. Everything
from quanta to solar systems consists of two primary elements of existence, Yin
and Yang forces, which represent all opposites. These two forces are
complementary elements in any system and result in the harmony or balance of
the system. All systems coexist in an interdependent network. The dynamic
tension between Yin and Yang forces in all systems results in an endless
process of change: production and reproduction and the transformation of
energy. This is the natural order. This is the Tao.